Why does Sukhi believe that musicians are next to God

Off late there has been too much of travelling by road. With some of the branches nearby, I steer through the places myself. Courtsey this, I have grown a penchant to music (to be specific something audio); some thing in the background reduces the boredom to some extent. In the process not less than a dozen CDs have entered through my Sony Car system; saving me an incremental bit of musical (note,lyrics, timbre & pitch ) knowledge everytime. With constant jarring (oops sorry this is not the right word) in my ears, I have made a couple of keen observations. I hope the readers would also agree to this

a) With the little bit of classical knowledge that I know and with a couple of good listening sessions of few Ustads through, I can make forth this point clearly that it is all about time. As per Indian musical system, all the ragas are hard-core mathematics in nature. If analysed properly, one can find out that permutations & combinations are used in plenty. Frequency modulations is the key distinct factor distinguishing some closely similar ragas. The variations in pitches and timbres may be drawn closer to I am sure a couple of theorms and equations.
"Time controller", if at all there was any phrase like this, would be used only for God. I am sure all would agree to this. He is the ultimate controller of time; what is going to happen to whom and when, only He can say.

b) I do not know how often one visits a temple (or any other place of worship for that matter) or any place of religious importance. The frequency would vary depending on the individual's occupation, nature and inclination towards godship (if I am allowed to used the term). But each visit provides a comfort; a soothing factor which come as an addendum to each visit. Similar is the reason for mortals when they are inclined towards music.

c) Blessed are those who repeatedly chant the God's name or participate in any such service owing devotion to some idol / God. A regular visit / participation in a relegious discourse keeps one bay from some (if not all) negations that creeps on regularly to one's mind. Similar if one develops a taste for or simpler still compulsively spends some time pondering over some part of a classical rendering, one would enjoy utter tranquility during the period. This is also bound to affect our senses.